Artworks

Pollution/2018/Mixed media on plastic/ 145 x 95 cm

I find it suggestive and daring to work with fire on polyethylene, repeating my feather patterns I make a work that will be inextinguishable. Interesting to observe and reflect on the themes of environmental care.

Agrimonies

I work this work with various techniques, etching on linen, abstraction of leaves of agrimony (medicinal plant) and as a repetitive and sequential act I print on each of them a stamp of Mount Fuji, which sometimes is perceived and sometimes disappears, giving great movement to the work.

VIDEOS ON SINGLE 22" SCREENS

Search/ 2018/ 1920X1080. H.264. 02:40 minutes. 219.2MB

In this video of deep observation I wanted to approach the pen as closely as possible. Being able to observe every detail more deeply than our eyes can. An enjoyment to the eye without a doubt.

Scalpel 2018/ 1920X1080. H.264. 02:16 minutes. 185.9 MB

This work reflects part of the work process, speaks of my concern about current environmental issues, and makes an interesting counterpoint between two elements that never meet together, the beauty of the brightness of the metal, the threat on an element as subtle as a pen, allow us to reflect on this repetitive act of rupture.

Fire/ 2018/1920x1080 H.256 05:19 minutes. 375.4 MB

I decide to burn the feathers, many things happen in the process. In this video I record the act in real time of observation. The color of the burning refers to various organic elements, human interiors and suggestive movements.

Cloning/ 2017/ Paper and silk/ Variable dimensions

The viewer can be positioned from different angles to observe it. The austerity of its materiality invites contemplation. This "hanging sculpture" is an autonomous entity, it has life, strength, body. It almost breathes. I am interested in the repetition of elements, inspired by the seriality used as an operative means. The concept of full and empty, positive-negative, and the complementary opposition.

Entomological I & II/2020/ Paper, silk and entomological pins/ 50x50 cm

Through the use of entomological pins, I question my reflection on what is a replica, why do I imitate nature, will the replica be able to replace nature as we know it when we have extinguished it, will it be possible that one of my bitten leaves made of paper, silk and fire intervention will be the ones that in the future will be taken by pins and exhibited in a natural history museum, will be the ones that in the future will be taken by pins and exhibited in a natural history museum?